Meal and Real

Recognized classic of American cinema, screenwriter and director Billy Wilder simply would not help but touch on trading from the American media system. Inviting the gorgeous Kirk Douglas and creating another striking, unique picture of the imposing correspondent, Wilder is filming a grandiose, emotional, ironic and pressing film performance.

The selfish unscrupulousness in the modern American press appears in the form of a collective image of a true master with the pen, trying to realize his irrepressible ambitions, who may have devoted his life to the pursuit of unique material. With sparkling eyes and and not using a shadow of doubt, he fearlessly walks over the dilapidated mine, to be the earliest to get a date while using the one nobody can’win’him the Pulitzer Prize – with all the unfortunate miner, imprisoned by the desire of fate inside a cramped opening regarding the fallen stones.

Taking management of your situation, subjugating the flow of real information, turning the reportage in a national tragedy – for a real person there isn’t anything impossible on the subject of the goal of his life. As automobile ancient prophet, he broadcasts into your recorder the simple truth that his personal vanity demands of him.

Like bees flocking to sugar syrup, a crowd of afflicted people strives to arrive at an original attraction. Theater, baseball, cinema – no! The war for fmovies downloader life is the best show with the unpredictable ending. The present day collision, which includes opened its arena in abdominal muscles center of prosperous America, is now for many people an outlet from a monotonous, routine existence. Carousels, stalls with hot dogs, sun loungers against the setting of rescue equipment – our drama inevitably develops right booth

Delicately mocking the crowd, Billy Wilder usually plunge the regular American into his personal ignorance, simultaneously explaining to him the easy truths with the monstrosity of these a mindset to human tragedy, reproaching him for idle curiosity, passive compassion, and predictable reactions on the clever and timely steps of the vain correspondent.

Finding myself the particular center of events, the hero of Kirk Douglas unwittingly involves himself from the hardest confrontation – confrontation with himself. The invisible scales of conscience, once frozen at the condition of pathological egocentrism that outweighed decency, set out to slowly hesitate when choosing the bitter fate of a proper worker, along with ungrateful passion, with a sort, naive old man, father and unhappy mother. Eventually, he still can’t cope with the sincere compassion which includes awakened in him. And above all, to what for too long and persistently led his hero Billy Wilder, that is obvious from the beginning – he has to understand into what insignificance he turned himself over these long years, that no power and money can be placed above human life.